Showing posts with label embodiment. Show all posts
Showing posts with label embodiment. Show all posts

Friday, May 14, 2010

Cyborg Aesthetics

sheep Writing is technology, and the reader is a cyborg.  Through (or with?) the text one establishes zones of contact (thought tendrils) between two systems (at least two, why couldn’t it be more?), one strange…alien…and initially outside, and the other familiar, adapting the familiar to fit the strange (which is also changed by the operation).

The cyborg reader is a decentered subject.  It does its thinking in different places.  In the brain but also out of the brain.  In the eyes, the hands, and the skin, but also in the ink, the paper, and the screen.  Cyborg thought has no absolute outside.  This makes an aesthetics built around the sovereign judgment of an autonomous cogito impossible.  The aesthetics of the cyborg are instead a function of estrangement and utility.  Its art is mutation and disruption; its sublime is ugliness; its harmony is efficiency.

It isn’t always useful to see the particular substance of objects or to be deliberate about every activity.  Sometimes it is better to see empty forms.  Sometimes it’s better to shuffle along like zombies.  But not always, and art snaps you out of your sleepwalk and renders difference visible. 

Tuesday, May 11, 2010

The Elephant-men of Avatar 2

Here were trunks, spines, tusks, fangs, claws, tails, paws.  Here was fur, and here was smooth hide.  Here was flesh flowing at will and seeking new shapes.  Here were dark chambers, lit only by flickering fungoid-glow, in which no firm distinction of species existed (Downward to the Earth 165).

Downward-to-the-EarthWord on the street is that James Cameron won’t make a sequel to the award-winning 3D spectacular, Avatar, unless “he feels strongly that the script is excellent enough.”  Sufficient excellence is a funny sort of concept, and I’m not exactly sure what it means, but he could do a lot worse than to adapt Robert Silverberg’s Downward to the Earth (1969). 

I had pretty serious reservations about Avatar before watching it.  I'd read that it was racist, that it staged the conquest of fantasy over sci-fi, that it worshipped a death-god (Douthat, you're awful, but sometimes hilariously so), and that like Titanic it will be unwatchable in 10 years

The consensus among friends of mine whose opinions I respected was that it was visually awesome.  Not worth thinking about, but worth watching.  Initially I resolved not to watch it at all.  Movies can be good and have awesome computer effects, I said to myself, so I’ll wait for them… 

But then I was kidnapped! by this team of insane scientists who were researching methods of coercion and torture.  Seriously!  It was frightening.  They took me to a secret underground laboratory and told me that they would electrocute one kitten for every hour that I resisted watching Avatar.  Innocent, defenseless kittens!  Now, I am a man of strong principles and iron will, but I am not a monster.  So reluctantly I agreed to watch it.  Tell me you wouldn’t have done the same.   This really happened.  I wouldn’t have watched it otherwise.  My time is far too valuable.  Honest.

Well, turns out it sucked.  It totally sucked.  I wasn’t offended by the politics or anything.  The nature-worship was sort of cheesy, but the idea of a sentient biosphere was cool, and I’m positive that Cameron meant well.  But it was still 10 lbs of CGI in a 5 lbs bag.

However, Cameron could totally redeem himself in my eyes if he took a serious, long look at Downward to the Earth as possible source material for the sequel. 

Why, you ask? 

Downward to the Earth, as it happens, is a novel about redemption.  In the far future, Earth has established a far-reaching colonial empire spanning inhabited alien worlds.  Holman’s World (or Belzagor, as the natives call it) is one such planet.  But liberal activists on Earth stir up enough anti-colonial sentiment to successfully lobby for the relinquishment of all colonized planets hosting sentient life back into the possession of their indigenous populations.  The plot of the novel follows Edmund Gundersen, a former sector administrator of Belzagor, who returns once more to his outpost eight years after Relinquishment to atone for his past sins.

Strangely, there are not one but two sentient races on Belzagor, the Nildoror and the Sulidoror.  The Nildoror are massive, elephantlike beings, herbivorous and passive, whom the earthlings exploited as beasts of burden.  The omnivorous Sulidoror, on the other hand, are large, furry bipeds, about one and a half times the size of a man.  Throughout the many years of colonial occupation, the Sulidoror mainly kept to themselves in the mysterious forests of the northern mist country, but Gunderson is surprised, on his return, to find the Sulidoror living alongside of the Nildoror, even in the tropics where he had been stationed.

The Nildoror have this thing, like a religious rite, called Rebirth, that Gunderson has heard only whispers about.  They pilgrimage to the mountain of Rebirth, deep inside the mist country, to undergo it, and Gunderson, racked with guilt, has become obsessed with the idea of participating himself.  But on the way to the mountain, Gunderson comes in contact with one of his former colonist friends, a “dark and chilling saint” named Kurtz (an explicit reference to Heart of Darkness) who has already attempted Rebirth and came out of it writhing in pain, his body a deformed mess of alien biology equipped only for suffering.  “River…death…lost…horror…river…cave…warm…lost…warm…smash…black…go…god...horror…born…lost…born…” he feverishly repeats (116). 

Will Gunderson continue on his pilgrimage or turn in horror from this fleshy manifestation of the deep, twisted darkness he fears he and his kind have imposed upon the planet?  You’ll get no more spoilers from me, but at its core, Downward to the Earth is about the cruelty of Western civilization, the arrogance of the human race, the possibility of redemption and the virtue of estrangement (and maybe also the therapeutic potential of psychedelic drugs).  These themes match well the message of Avatar, but with an important difference: the natives of Belzagor have no use for human saviors. 

Cameron really wouldn’t have to change much.  Swap out the Sulidoror for the Na’vi and maybe instead of elephant-like aliens, he could have some Pandoran equivalent of the blue whale play the role of the planet’s secondary sentient race.  

Monday, April 12, 2010

Story of the Week: The Gadarene Swine

26They sailed to the region of the Gerasenes, which is across the lake from Galilee. 27When Jesus stepped ashore, he was met by a demon-possessed man from the town. For a long time this man had not worn clothes or lived in a house, but had lived in the tombs. 28When he saw Jesus, he cried out and fell at his feet, shouting at the top of his voice, "What do you want with me, Jesus, Son of the Most High God? I beg you, don't torture me!" 29For Jesus had commanded the evil spirit to come out of the man. Many times it had seized him, and though he was chained hand and foot and kept under guard, he had broken his chains and had been driven by the demon into solitary places.

30Jesus asked him, "What is your name?"

"Legion," he replied, because many demons had gone into him. 31And they begged him repeatedly not to order them to go into the Abyss.

32A large herd of pigs was feeding there on the hillside. The demons begged Jesus to let them go into them, and he gave them permission. 33When the demons came out of the man, they went into the pigs, and the herd rushed down the steep bank into the lake and was drowned.

34When those tending the pigs saw what had happened, they ran off and reported this in the town and countryside, 35and the people went out to see what had happened. When they came to Jesus, they found the man from whom the demons had gone out, sitting at Jesus' feet, dressed and in his right mind; and they were afraid. 36Those who had seen it told the people how the demon-possessed man had been cured. 37Then all the people of the region of the Gerasenes asked Jesus to leave them, because they were overcome with fear. So he got into the boat and left.

38The man from whom the demons had gone out begged to go with him, but Jesus sent him away, saying, 39"Return home and tell how much God has done for you." So the man went away and told all over town how much Jesus had done for him.

Luke 8:26-40